First Word

One of the hardest things to do when writing fiction is to create unique voices for each character. If you make all the characters sound alike it makes the writing flat and uninteresting. It also makes it difficult to get to know a character -- they all sound like the same person. When I teach my fiction writing workshops, I always teach writers the following concepts to help create a voice for each character. Phone a friend -- I'm being cute ... what I really mean is pick someone you know in real life. Hear how he or she talks. Take this person's voice and apply it to one of your characters. If you don't know someone who would "fit the part" then take an actor or actress or even a public figure and listen to how this person talks. Mimic their inflections and phrases in your character(s). My biggest insight: really listen and repeat. People have their own ways of saying things. So, you want to capture the unique essence of the voice. Formalism in modern writ...

Time to give you my take on the evil-doers.  The purely evil, sociopathic villain can border on a cartoon character. You do not want to paint a black character with no heart or soul or motivation for his or her evil nature. A great villain is the one that is fully fleshed out, relatable and understandable. A one-dimensional villain is actually quite boring.  What you really want is to write a great antihero.  In fiction the antihero is generally considered to be a protagonist whose character, in some regards, is conspicuously contradictory to the archetypal hero. In some cases, the antihero is the antithesis to the hero. Some people believe the antihero could be classified as the antagonist or villain. An antihero, however, is not a strict villain and typically elicits sympathy or admiration. The antihero is sometimes the character you love to hate and love at the same time. So here are my favorite antiheroes: Rev. Steve Newlin, True Blood -- I'm not sure we can find ...